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After the pumping station at the shore was finished in Persius designed and built up-to-date greenhouses and an orangery in The buildings were erected to the west of the coach house at the edge of the pleasure ground where three little greenhouses stood previously.
The arcade of the orangery referred to the adjacent coach house. The greenhouses, flanked by little water towers, were aligned to the south at the southern gable end of the orangery.
The area in front of the greenhouses was used for extensive seedbeds. Orangery and one part of the greenhouses were demolished in and reconstructed in In the Cloister Courtyard between Casino and the greenhouses was erected as the last building on the pleasure ground.
Historic building parts were purchased in Venice to be used as spolia in the Cloister Courtyard where Charles developed the first collection of Byzantine works of art in modern Europe.
Furthermore, it is seen as a hidden tribute to Russia and its political order as the Russian emperors saw themselves as successors of the Byzantine Emperors.
Charles left the throne in his will to the town of Goslar. The most precious relief on the walls of the Cloister Courtyard was a late 12th century tondo of the Byzantine Emperor.
Nowadays only a reproduction is on display. The four arches refer to the Roman Agoranomion in Athens which Schinkel and his contemporaries thought of as the most important arch architecture of the "Old Greeks".
The Palace Tower adjacent to the coach house was built in and was used as a difficult to climb vantage point. The wrought iron garden furniture is missing.
Some of the garden furniture was probably designed by Schinkel,  other parts were in Louis Quinze style or Empire style.
The Lime Trees Pergola is the only non-architectural pergola in Glienicke which is still visible today. It consists of eight lime trees at a junction near the Cloister Courtyard which are the remains of the late 18th century geometrical aligned avenue trees.
There are some smaller architectural elements on the pleasure ground. It is an erratic crowned with a milkmaid bronze sculpture.
The sculpture was a gift to Charles by his sister Charlotte in It was a copy of the original sculpture by Russian sculptor Pavel Sokolov on the pleasure ground at the palace of Tsarskoye Selo.
The sculpture refers to the fable about the milkmaid and her pail by Jean de La Fontaine. The arrangement includes two column sections of the ancient Greek temple of Poseidon at Cape Sounion , a capital from the Pantheon in Rome and another one from the St.
The outlying park areas were separated from the pleasure ground by walls, fences or so-called invisible fences thus keeping out livestock and wildlife which roamed in the outlying park.
In the northeast the part of the Karpathen is a mountain park with steep slopes. Some of the names of the parts are historical.
For the first phase the planting of around 26, copses was recorded, mostly oaks, poplars , locust trees and lilac trees.
On the park terrain of that time planting on a massive scale of between 40, : Despite consisting mostly of young beeches procurement did get difficult.
Through a network of park roads and footpaths most of the park was accessible. Pure footpaths were to be found in difficult terrain. One path with steps was across the Karpathen , another one linked the main park road, the Drive, with the Big Hunting Parasol.
There were also paths with steps to reach the lower parts of the Alders Bridge in the part of the Shore Ridge Path. Middle Gate was not anymore at the level of the Big Meadows requiring a flight of stairs.
With the park extensions after the Drive was also extended to include the new parts in the north and the east. Several times the curve in the north was redesigned to a larger radius enabling a new route in the north which offered e.
In its design the main park road became more dramatic in the east. Passing the Hermitage the Drive descended into the wooded parts from where in a big westward curve it ascended to the edge of a steep slope which was impressive regarding the usual regional topography.
From vantage points there magnificent long distance views on the Potsdam cultural ensemble were possible. Following another steep ascent the Alexandra Bench offered a view into the gorge there.
At the Rondell the tour would usually be continued to the adjacent Babelsberg Park. On a shorter tour the coach would drive from the Rondell via the Middle Gate back to the Palace.
The park roads were built in layers. Coarse material was covered with fine material. The camber ensured that rain ran fast off the surface. At intersections the gutters crossed the road.
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Park Klein-Glienicke or Glienicker Park. Palaces and Parks of Potsdam and Berlin.